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• Ethnic/religious
groups of Habsburg Empire
• Historical
breakup of Yugoslavia ('91-'09)
• Muslim
populations in European countries
• History
of Christianization of Europe
• Soviet
Union, Communist influence
• Map
of European ethnic groups
• Map of Fascism
in Europe (1922-75)
• History
of Islamic conquest in Europe
• Religions
& ethnic groups in Russia
• Detailed
map of French colonization
• Detailed
map of British colonization
• Napoleon's
conquests & legacy
• Ethnic
& religious map of pre-Nazi Poland
--MORE &
NON-ENGLISH--

• Pecs, Hungary: collision
point between
Muslim and Christian empires
• Auschwitz and Birkenau
• Poland's
resistance to Nazis in pictures
• Muhammad
cartoon crisis in pictures
• Stalin's
private summer home
• Ravenna:
capital of Gothic empire
• Czar Nicholas
II's Ukrainian palace
• European
traditional cultural costumes
• Inside the Vatican,
house of all wealth
• Banknotes/currencies
of Europe
• Croatia's
Dubrovnik, untarnished gem
--MORE
& NON-ENGLISH--

• Islamic Mujahidin
vs. Christian Spain
• Poland-Lithuania vs. Teutonic Order
• Nevskiy's Russia vs. German Crusaders
• Prussia
vs. France (Nazi Propaganda)
• Libya: Europe
will soon be Islamic
• Ivan the Terrible
vs. Muslim Tatars
• Soviet
Propaganda: Defeat of Germany
--MORE
& NON-ENGLISH--

• An analysis
of Mussolini's 1938 racialist legislation
• The disastrous
effects of Soviet collectivization on Kazakhstan
• Changing meaning
of Italian identity under Fascist rule
• Yugoslavia's independent
break from East and West
• The Galicians: the
Celts of Spain
• The modern
Macedonian Slavs and Alexander the Great
• An argument for
the Romanians' links to ancient Dacians
• Mussolini's
Italian death camp for Jews, Slovenes, and Marxists
• The disappeared
Jews of Hungary and the Arrow Cross regime
• The Gypsies in history and today,
Europe's public enemy
• History
of Jihad in Chechnya vs. Russians
• History
of the Muslim Tatars in Eastern Europe
• Post-WWII expulsion of 10 million
ethnic German civilians
• Ethnic
& religious history of Serbs, Croats, & Bosnians
• Breakaway
states and independence movements in Europe
• The ancient Germanic Runic alphabet
and Runestones
• Teutonic
Order and their 800-year legacy in Eastern Europe
• 460-year
struggle for Albanian homeland, and 540 for Kosovo
• 2,800-year-old white mummies of China,
bringers of Buddhism?
• Alexander the
Great's Greek descendents in Pakistan?
• Visual History
of Yugoslavia and its breakup (1918-2008)
--MORE
& NON-ENGLISH-- |
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Ukrainian summer
palace of Czar Nicholas II, the last emperor of Russia, and
the site of the Yalta Conference
by James Mayfield (Chairman, European Heritage Library)
Print
this Article • About
the Author • Bibliography/Sources
This article offers some
of my photos & observations of the grandiose Livadia Palace,
the personal residence of Tsar Nicholas II, and Vorontsov's
Alupka Palace, the majestic home of Russia's leading general
against Napoleon and the Caucasus' Islamic Mujahidin, both
in Ukraine's Crimean city of Yalta. To read my personal ethnic
and social observations of the Crimea and Ukraine, as well
as the complete history of the Tatars and their jihad against
the Slavs in the Crimea and Ukraine, click here.
For a brief historical background,
the nation of Ukraine is a comparatively new phenomenon. Although
Ukrainians and Slavs trace their history back over 1,200 years,
the centralized nation of Ukraine arguably did not exist before
the creation of the Ukrainian SSR after 1920. The Ukrainians
and Russians, two related Slavic peoples, each claim to have
founded the first Russian state. This massive realm called
Kievan Rus (centered at Kiev, hence the Ukrainian claim) was
actually built by the invading Germanic Vikings called the
Varangians from Sweden, according to the early Slavs' own
Primary Chronicle. The Germanic aristocracy gradually died
out, and was replaced by the native Slavic authority that
forged a kingdom stretching from what is now Finland to near
the Crimea and the Black Sea. This kingdom was obliterated
by the invading Mongols and their Turkic Muslim Tatar legions
in the 13th century. The Orthodox Ukrainian Slavic people
thus became mere subjects of various empires -- such as Lithuania,
Poland, the Ottomans, the Crimean Khanate, Genoa, and finally
Russia -- although they retained their independent Slavic
genetic and cultural identity. The Ukrainians take great pride
in their heritage as roving Cossacks who often brought the
Polish crown to the brink of collapse. They were then part
of Russia until its fall in 1917, after which Polish military
conquest and infighting allowed the Soviets to re-annex it
until 1991.
Southern Ukraine is called
the Crimea. It was almost entirely populated by the Turkish
race -- the Crimean Tatars -- until Catherine the Great replaced
them with Slavs. During World War II, a large percentage of
Tatars supported the invading Germans and Romanians. As a
result, Stalin expelled the entire population of Tatars to
Kazakhstan. Nearly all died out, and there are almost none
today in the Crimea. Bearded Turkic men can only rarely be
seen standing outside new blue mosques, some wondering how
this previously-Turkic country is now populated by a tremendously
homogeneous blond Slavic population.

map of Ukraine on the Black Sea. The far southern tip is the
Crimea.
The greatest buildings in
Ukraine other than their ancient Orthodox Christian Ukrainian
churches are the elaborate palaces and summer homes constructed
by the Russian overlords for their victorious military generals
and many czars/tsars. The Crimea's most radiant gem is easily
the Livadia Palace. This was the summer residence and international
conference building of Czar Nicholas II, the last emperor
of Russia before he was overthrown by the Bolshevik revolution
in 1917. Despite his overthrow, the palace remained in use
by succeeding Russian authorities. The Soviet Premier Joseph
Stalin, American president Franklin Roosevelt, and British
Prime Minister Winston Churchill held the famous Yalta Conference
in this building to decide the fate of Europe shortly preceding
the close of World War II. The glory, wealth, size, and prestige
of the palace functions as a justification for the typical
Communist mantra that the Russian aristocracy was astronomically
wealthy and exploitative ofthe poor peasants. The building
is massive, with some 30-foot-tall ceilings and more in many
rooms decorated in lavish wood designs, white marble, gold
leaf, carved stone, and expensive furniture. Massive stairways,
archways, and gargantuan windows with massive awnings acknowledge
the extreme wealth of the Romanov dynasty of Imperial Russia.
The huge palace is built in the Italian medieval style instead
of the Russian style. There are more than a hundred rooms,
and many rooms hold massive tables capable of a capacity of
hundreds for intended assembly with foreign diplomats. Massive
paintings of Nicholas' family, as well as his personal families'
rooms can be entered, including the homeschooling room for
his children, an Orthodox prayer room, smoking and drinking
rooms, fireplace rooms, etc. Each room has an entirely unique
fireplace of a different style from all over the world to
express the global domain of his massive empire. One garden
outside has Arabic writing next to a fountain to express not
only his artistic appreciation for Islamic art, but also the
Russians' conquest of the Turkmen, Uzbeks, Kazakhs, Tajiks,
Kyrgyz, Azeris, and Tatars. The Orthodox religious piety of
the Slavs before the Communist conquest is reflected in a
massive church in the palace whose onion domes and crosses
extend nearly as high as the palace itself, with gold leaf
decorations adorning the interior and exterior. Tourists and
locals are allowed to enter here for the purpose of prayer
instead of a standard tour. Candles may be illuminated for
the intent of honoring the saints and their ancestors. As
is tradition to the non-Catholic Orthodox Christians, Slavs
can be seen holding their hands against massive and radiant
gold-leaf mosaics and frescos of saints in icon veneration.
Metropolitans and bishops can be seen giving prayer sermon
here infrequently. The family of Tsar Nicholas, and the Tsar
himself, are saints within the Orthodox Ukrainian Church.
Photography is not allowed, women must cover their shoulders
and wear veils or headscarves, and men must cover their legs
and shoulders; no photography thus can be shown below. Nearly
all of the evidence of Czar Nicholas -- including paintings,
possessions, art, and ivory teasures, etc. -- were either
stolen, burnt, or covered by the Communist regime after its
seizure upon the deposition of the Romanov dynasty in 1917.
Most have been replaced.

the Livadia Palace of the Czars. (click to enlarge)

the interior ceiling in one room. Every surface is intricate
and fantastic. (click to enlarge)

the main conference hall. (click to enlarge)

the main table where the Yalta Conference was held. (click
to enlarge)

an Arabic-style courtyard with Arabic script. (click
to enlarge)

a main work room with a mural of Nicholas II and family. (click
to enlarge)

the family of Nicholas II. (click to enlarge)

the family Orthodox church of Livadia Palace. (click
to enlarge)
The next radiant and most
famous of the Crimea's monuments since the obliteration of
the Islamic Tatar authority in the 18th century is the bizarre
and unique Alupka Palace. After a several-kilometer drive
and walk through an absolutely massive and entirely-synthetic
(not naturally grown) garden complete with waterfalls and
swan lakes (which inspired Tschaikovsky's "Swan Lake"
classic) populated by peacocks and eagles, one comes upon
a massive palace in the center of nowhere expressing an eclectic
array of architectural styles. Its main exterior was built
for Mikhail Vorontsov, one of Russia's greatest generals for
his heroic defense of Russia's statehood against Napoleon
Bonaparte I in the 19th century. He also was one of the leading
commanders who led the Russian armies into the volatile region
of the Caucasus, where Islamic Turkic and Caucasian tribes
rallied behind Imam Shamil in a glorious Jihad against the
Christians, an event whose heritage continues today in the
Chechen jihad against the Russian Federation. The palace was
to be his summer home to congratulate his victories. The exterior
of the palace is in British Tudor style initiated by the Protestant
King Henry VIII, built from 1830 onward. The interior includes
a variety of styles including French Baroque, British classic,
Slavic, Byzantine, and even Islamic influences to a large
extent in the exterior. Like the palace of Czar Nicholas II,
this is an exercise of the Russians' world dominion instead
of a cultural partnership of any sorts. The rooms in the interior
are easily more radiant than the Livadia Palace of Nicholas
itself. There are endless hordes of Greek-style statues, elaborate
mosaics, Fabergé eggs, intricate gold leaf pottery with gems
and jewels, diamond and gold designs on walls and ceilings,
ruby and emerald, and ivory-studded furniture. Ceiling wood
surfaces are intricately designed in special and shimmering
patterns distinct in each room. Massive courtyards, patios,
smoking and drinking rooms, fireplaces, and windows decorate
this incredible palace with windows stretching in some rooms
nearly 40 feet high. There are basins that are more than 10
feet wide used for decanting wine or cooling champagne in
ice for visiting guests, the royal family, and for the generals'
guards delight. Huge gardens offer a broad variety of animals
and plants. Several rooms offer fountains and gardens for
the relaxation and enjoyment of visitors, and also for the
sake of painting, studying, or for engaging in Orthodox prayer.
Gargoyles, lions, and statues of women out of radiant marble
tipped with gold can be seen around the palace as well. During
the Yalta Conference that took place in the palace of the
former czars, this palace of Vorontsov offered lodging to
Churchill during his stay in Yalta. The outer patio of the
palace offers a massive panoramic of miles and miles of the
Black Sea in all directions from a mighty cliff covered in
trees and gardens with peacock howls in the distance. A look
back at the palace offers the most Islamic or Tatar-esque
(Turkic) elements of the palace. The bizarre Tudor style of
the front is exentuated in the reverse of the building into
a number of minaret-like spires adorning a huge open-half
dome that resembles a mosque's mihrab (the direction of Makkah).
The green and white cut dome with its soft green interior
is decorated with quite marginal Arabic script that roughly
translates "no victor exists but through Allah."
Although the Muslim minorities of the expanding Russian empire
were treated as second-class citizens, multiple Russian leaders,
especially Catherine the Great, promoted a superficial type
of autonomy for non-Russian populations in the empire. This
was, in reality, politically motivated, since Catherine herself
was German (not a Slav). The purpose of this bizarre use of
Islamic architecture and script in a Slavic Christian general's
home (let alone one who suppressed the jihad of the Caucasian
Turks) is manifold: firstly, out of appreciation for the beauty
of Islamic architecture; secondly, to commemorate Russia's
conquest of nearly all of the Islamic Mujahidin rebels of
Central Asia; thirdly, to commemorate Russia's delicate peace
with Shi'ia Iran. Russia had engaged in nearly a dozen wars
with the Sunni Ottoman Muslims, but generally retained peace
with Iran. It is intentional that the name of Muhammad, the
the Prophet, or Ali are of course not mentioned, only the
name of God. The path leads outward back into the massive
garden grown entirely by the hands of soldiers and serfs for
the general by the czar's orders. Ukraine is one of the most
beautiful nations of the world, and with an incredibly proud
and ultra-homogeneous Slavic Orthodox Christian culture to
lead it. The sluggish poverty of Ukraine is not reflected
in the Crimea.

the synthetic massive garden before the Alupka Palace.

the Alupka Palace in Tudor style. (click to enlarge)

a main glorious room in palace. (click to enlarge)

a magnificent dining room with blue walls and painting.

an intricate blue ceramic and gold urn.

the main hallroom. Every fireplace is unique.

the main Islamic-style half-dome on the back side of the palace
with "victory only through God" written in Arabic.
________________________________________
ABOUT
THE AUTHOR:
James Mayfield is a historian
and the Chairman of the European Heritage Library. I have
a Cum Laude BA in History with a Minor in Germanic Studies
(language and history), am presently working for my Masters
in History, and plan to immediately progress to my PhD Doctorate.
I have a special academic interest in Europe's diverse ethnic
identities, languages, and cultures, and the political struggles
of native European and immigrant minority identities. See
my staff entry for more information.
BIBLIOGRAPHY/SOURCES
USED:
No additional citations or
sources necessary.
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